Point : Nick and Nora sign off with... Song of the Thin Man (1947)
Url link : Nick and Nora sign off with... Song of the Thin Man (1947)
This post is part of the wonderful 1947 Blogathon, which covers many of the fabulous films from that year. Click here to check out the many other fun entries! You'll be surprised at how many great works appeared in 1947. Be sure to check in tomorrow, the 14th, for my second entry in the blogathon. I had such a hard time choosing which movies to cover, I just had to do two posts, so we'll be swimming around with Esther Williams and Jimmy Durante tomorrow. For now, though, let's have a ball with the incomparable Charles family...
Quick synopsis: On the S.S. Fortune, a gambling boat, bandleader Tommy Drake (Phillip Reed) is cruel to his alcoholic clarinetist Buddy Hollis (Don Taylor), and both men are in love with the band's singer, Fran Page (Gloria Grahame). Drake owes money to gangster Al Amboy and tries to get an advance on his salary from Mitchell Talbin (Leon Ames), a man who just booked Drake's band for a better gig. Talbin refuses to loan him the large sum, so Drake steals cash from the boat's owner, Phil Brant (Bruce Cowling). Before he gets two steps away from the safe, though, he's shot and killed. Brant is arrested for the murder, but his wife, socialite Janet Thayer (Jayne Meadows), knows he's innocent and asks Nick Charles for help. Lots of spoilers ahead.
Gloria Grahame and Keenan Wynn.
Filmed before she hit her stride, Gloria Grahame plays a small part as the singer, Fran. She didn't do her own singing, but she still makes an impression, as Grahame always did. It's a shame that her character gets killed off about halfway through the film, especially since Fran and Buddy Hollis had such an interesting relationship that we hardly ever got to see. Keenan Wynn plays "Clinker," another guy from Drake's band. Clinker fills in the role of the third party that tags along with the Charleses as they gather clues. He spouts lingo that makes Nick's head whirl, and he's their ticket to the world of jazz musicians.
Nick Charles, Jr.
Cute, little Dean Stockwell is Nicky, Nick and Nora's son. I'll admit I wasn't a fan of the introduction of a baby to the series, but I enjoy him in this film. As we all knew would happen, Nicky is enthralled by the dangerous and exciting stuff his father experienced, and he wants to be a detective just like him. When he sees the Drake murder in the newspaper, he immediately wants to work with his dad to figure it out. One of the funniest scenes occurs when Nora demands that Nick spank their son after catching him trying to avoid practicing the piano. Nick is definitely not the disciplinarian of the two, so when he lays his son over his knee and raises his newspaper, memories overtake him: proudly seeing Nicky at the hospital when he was born, teaching him how to ride a bike... But then he remembers when he crashed the bike and Nicky laughed at him--now he can go through with the spanking! It's also adorable to see that Asta has become best friends with the boy. A running gag in the film is that the terrier keeps sleeping beside Nicky instead of in his own bed. It's pretty darn cute.
The dialogue.
The married team of Albert Hackett and Frances Goodrich provided the wonderful scripts for the first three films, but by the fourth they were no longer contributors, which is a shame. However, there still are gems to be found in Song of the Thin Man. They may not be as fast and furious as the previous films, but they're there nonetheless:
A man after a shot was fired and hit Nick's bottle of scotch: "Was anyone hurt?"
Nick: "Yes, an old friend of mine went completely to pieces."
Nick when a guy sticks a knife in his back as he's holding a piece of sheet music: "If you're afraid of my bursting into song, it'll be a little difficult with the piccolo part."
Nick after he and Nora hear something surprising: "Mrs. Charles always wears her mouth open with this outfit."
Nick: "The prettier the bait, the better the catch... That's an old saying I just made up."
Surprisingly dark tone.
When you ask someone what the Thin Man series is about, the likely answer is Nick and Nora, not the murder mysteries that serve as the plot. Song of the Thin Man actually gets a little scary at times. Early in the film, Nick turns in Brant so he'll be protected in jail, but Brant and Janet see it as a betrayal. When Janet later disappears with Nicky, Nora is terrified that something bad is going to happen to her son, and you're right there with her. The whole film, Jayne Meadows plays Janet with a subtle malice, whether she's pissed at her father for rejecting Brant or she thinks the Charleses are out to wrongly convict her husband.
Buddy Hollis intensifies things, as well. From the very beginning, the audience sees that Hollis is having trouble sustaining his talent, which is blamed on Fran dumping him for Tommy Drake and his subsequent alcoholism. As the film goes on, we learn that Hollis was committed to a rest home. He plays the same song over and over on his clarinet; he's despondent; he stares at Nora in an unsettling way. Nora tries to get information out of him by sneaking away from Nick and Clinker and acting like she's a friend of Fran's, but Hollis finds out she lied and he gets violent, almost killing Nora. Nick figures that Hollis was present when Drake was shot, so the poor guy is later used to identify the killer at the very end, which leads us to...
The twist ending.
In the series' customary way, the mystery is solved as Nick gathers all the suspects in one location, this time the S.S. Fortune. Everyone thinks they were just invited for the re-opening of the ship, which includes the Tommy Drake Band returning with Buddy Hollis as their clarinetist. When Hollis comes out in front to do his solo, he sees the killer and freezes, causing Nick to deduce that it's Mitchell Talbin. Talbin confesses, but all of a sudden a shot rings out. Talbin's wife (Phyllis Morison) shot him! She was Tommy Drake's lover and used her necklace to pay off his debts to Amboy (a payment that goes unnoticed by all except Nora). She swore that she would kill Drake's murderer and before she can be stopped, she plugs Talbin a few more times and he dies.
Filmed before she hit her stride, Gloria Grahame plays a small part as the singer, Fran. She didn't do her own singing, but she still makes an impression, as Grahame always did. It's a shame that her character gets killed off about halfway through the film, especially since Fran and Buddy Hollis had such an interesting relationship that we hardly ever got to see. Keenan Wynn plays "Clinker," another guy from Drake's band. Clinker fills in the role of the third party that tags along with the Charleses as they gather clues. He spouts lingo that makes Nick's head whirl, and he's their ticket to the world of jazz musicians.
Cute, little Dean Stockwell is Nicky, Nick and Nora's son. I'll admit I wasn't a fan of the introduction of a baby to the series, but I enjoy him in this film. As we all knew would happen, Nicky is enthralled by the dangerous and exciting stuff his father experienced, and he wants to be a detective just like him. When he sees the Drake murder in the newspaper, he immediately wants to work with his dad to figure it out. One of the funniest scenes occurs when Nora demands that Nick spank their son after catching him trying to avoid practicing the piano. Nick is definitely not the disciplinarian of the two, so when he lays his son over his knee and raises his newspaper, memories overtake him: proudly seeing Nicky at the hospital when he was born, teaching him how to ride a bike... But then he remembers when he crashed the bike and Nicky laughed at him--now he can go through with the spanking! It's also adorable to see that Asta has become best friends with the boy. A running gag in the film is that the terrier keeps sleeping beside Nicky instead of in his own bed. It's pretty darn cute.
The dialogue.
The married team of Albert Hackett and Frances Goodrich provided the wonderful scripts for the first three films, but by the fourth they were no longer contributors, which is a shame. However, there still are gems to be found in Song of the Thin Man. They may not be as fast and furious as the previous films, but they're there nonetheless:
A man after a shot was fired and hit Nick's bottle of scotch: "Was anyone hurt?"
Nick: "Yes, an old friend of mine went completely to pieces."
Nick when a guy sticks a knife in his back as he's holding a piece of sheet music: "If you're afraid of my bursting into song, it'll be a little difficult with the piccolo part."
Nick after he and Nora hear something surprising: "Mrs. Charles always wears her mouth open with this outfit."
Nick: "The prettier the bait, the better the catch... That's an old saying I just made up."
Surprisingly dark tone.
When you ask someone what the Thin Man series is about, the likely answer is Nick and Nora, not the murder mysteries that serve as the plot. Song of the Thin Man actually gets a little scary at times. Early in the film, Nick turns in Brant so he'll be protected in jail, but Brant and Janet see it as a betrayal. When Janet later disappears with Nicky, Nora is terrified that something bad is going to happen to her son, and you're right there with her. The whole film, Jayne Meadows plays Janet with a subtle malice, whether she's pissed at her father for rejecting Brant or she thinks the Charleses are out to wrongly convict her husband.
Buddy Hollis intensifies things, as well. From the very beginning, the audience sees that Hollis is having trouble sustaining his talent, which is blamed on Fran dumping him for Tommy Drake and his subsequent alcoholism. As the film goes on, we learn that Hollis was committed to a rest home. He plays the same song over and over on his clarinet; he's despondent; he stares at Nora in an unsettling way. Nora tries to get information out of him by sneaking away from Nick and Clinker and acting like she's a friend of Fran's, but Hollis finds out she lied and he gets violent, almost killing Nora. Nick figures that Hollis was present when Drake was shot, so the poor guy is later used to identify the killer at the very end, which leads us to...
In the series' customary way, the mystery is solved as Nick gathers all the suspects in one location, this time the S.S. Fortune. Everyone thinks they were just invited for the re-opening of the ship, which includes the Tommy Drake Band returning with Buddy Hollis as their clarinetist. When Hollis comes out in front to do his solo, he sees the killer and freezes, causing Nick to deduce that it's Mitchell Talbin. Talbin confesses, but all of a sudden a shot rings out. Talbin's wife (Phyllis Morison) shot him! She was Tommy Drake's lover and used her necklace to pay off his debts to Amboy (a payment that goes unnoticed by all except Nora). She swore that she would kill Drake's murderer and before she can be stopped, she plugs Talbin a few more times and he dies.
The characters are essentially the same as they've always been, which is fantastic. They question suspects at 4 a.m. Nora wears marvelous clothes. Nick has dialed back on his drinking only slightly. Being amongst jazz musicians makes them feel old at first, what with the weird words and late night/early morning jam sessions. But then Nora picks up on all the lingo to Nick's confusion, and they're as cool as they ever were.
Myrna Loy actually hated the film, writing in her autobiography that "the characters had lost their sparkle for Bill and me, and the people who knew what it was all about were no longer involved. Woody Van Dyke was dead. Dashiell Hammett and Hunt Stromberg had gone elsewhere. The Hacketts were writing other things. Surprisingly, though, [it] was pretty well received, particularly in England, where, according to the Hollywood Reporter, 'Most of the cricks gave a cordial welcome to old-timers Bill Powell and Myrna Loy...' I know that only because Bill sent me the article with 'old-timers' circled in pencil and this note scrawled at the top of the page: 'Dear old girl! I know you wouldn't want to miss this! Love, Willy (old boy)" (Being and Becoming).
Myrna Loy actually hated the film, writing in her autobiography that "the characters had lost their sparkle for Bill and me, and the people who knew what it was all about were no longer involved. Woody Van Dyke was dead. Dashiell Hammett and Hunt Stromberg had gone elsewhere. The Hacketts were writing other things. Surprisingly, though, [it] was pretty well received, particularly in England, where, according to the Hollywood Reporter, 'Most of the cricks gave a cordial welcome to old-timers Bill Powell and Myrna Loy...' I know that only because Bill sent me the article with 'old-timers' circled in pencil and this note scrawled at the top of the page: 'Dear old girl! I know you wouldn't want to miss this! Love, Willy (old boy)" (Being and Becoming).
With love,
Michaela
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